Catalog/Hauser & Wirth/Glenn Ligon

Glenn Ligon

Hauser & Wirth · 27 works
Double America 2
Double America 2, 2014
Neon and paint · 48 x 145 x 3 · 121.92 x 368.3 x 7.6
Hands
Hands, 1996
Silkscreen ink and gesso on unstretched canvas
Untitled (I Am a Man)
Untitled (I Am a Man), 1988
Oil and enamel on canvas · 40 x 25 · 101.6 x 63.5
Untitled (I Feel Most Colored When I Am Thrown Against a Sharp White Background)
Untitled (I Feel Most Colored When I Am Thrown Against a Sharp White Background), 1990
Oil stick, gesso and graphite on wood · 80 x 30 · 203.2 x 76.2
Warm Broad Glow
Warm Broad Glow, 2005
Neon and paint · 36 x 192 · 91.4 x 487.7
The Death of Tom
The Death of Tom, 2008
16 mm black and white film/video transfer, 23 min; 4:3 aspect ratio
Debris Field #6
Debris Field #6, 2018
Etching ink and ink marker on canvas · 114 x 88 · 289.56 x 223.52
Debris Field #9
Debris Field #9, 2018
Etching ink on canvas · 114 x 88 · 289.56 x 223.52
Debris Field (Red) #2
Debris Field (Red) #2, 2018
Etching ink and acrylic on canvas · 114 x 88 · (289.56 x 223.52
Figure #58
Figure #58, 2010
acrylic, silkscreen and coal dust on canvas · 60 x 48 · 152.4 x 121.9
Figure #92
Figure #92, 2011
acrylic, silkscreen and coal dust on canvas · 60 x 48 · 152.4 x 121.9
Detail of Notes on the Margin of the Black Book
Detail of Notes on the Margin of the Black Book, 1991
Offset prints, 78 text pages<br>Text pages 5.25 x 7.25 inches / 13.3 x 18.4 cm · 11.5 x 11.5 · 29.2 x 29.2
Just Us #2
Just Us #2, 2004
Oil stick and acrylic on canvas · 32 x 32 · 81.28 x 81.28
More Bitch Than Me #2
More Bitch Than Me #2, 2004
Oil stick, synthetic polymer and graphite on canvas · 32 x 32 · 81.28 x 81.28
Runaways
Runaways, 1993
1 of a Suite of 10 lithographs · 16 x 12 · 40.7 x 30.5
Runaways
Runaways, 1993
1 of a Suite of 10 lithographs · 16 x 12 · 40.7 x 30.5
Stranger #77
Stranger #77, 2014
Oil stick and gesso on canvas · 96 x 72 · 243.84 x 182.88
Detail of Stranger #77
Detail of Stranger #77, 2014
Oil stick and gesso on canvas · 96 x 72 · 243.84 x 182.88
Synecdoche (For Byron Kim)
Synecdoche (For Byron Kim), 2018
Neon · 5 x 30.75
Untitled (America)
Untitled (America), 2018
Neon and paint · 24 x 145 x 4 · 61 x 368.3 x 10.2
Untitled (Malcolm X)
Untitled (Malcolm X), 2008
Pencil, acrylic and Flashe paint on paper mounted on panel · 335.28 x 271.78 · 132 x 107
We're Black and Strong (I)
We're Black and Strong (I), 1996
Silkscreen ink and gesso on unstretched canvas · 120 x 84 · 304.8 x 213.4
A Small Band
A Small Band, 2015
Neon, paint, and metal support, 3 components: ‘blues’ 74.75 x 231 in; ‘blood’ 74.75 x 231.5 in; ‘bruise’ 74.75 x 264.75 in · 74.75 x 797.5 · 189.9 x 2025.7
Installation view of Come Out #5
Installation view of Come Out #5, 2014
Silkscreen on linen<br>Quartet 94 x 472 in / 238.76 x 1198.88 cm · 94 x 118 · Each panel 238.76 x 299.72
Installation view of Come Out #5, v 2014 and Come Out #4
Installation view of Come Out #5, v 2014 and Come Out #4, 2014
Installation view of Ligon’s Door series in Glenn Ligon: AMERICA
Installation view of Ligon’s Door series in Glenn Ligon: AMERICA, 2011
Installation view of Screen, 1996 and We’re Black and Strong
Installation view of Screen, 1996 and We’re Black and Strong, 2011