Bronze with silver nitrate patina, stainless steel and marble · 927.1 x 891.5 x 1023.6 cm
Portrait, 1939
Oil and chalk on canvas
Untitled, 1945-47
Oil and charcoal on canvas
Untitled, 1946
Oil, charcoal and pastel on canvas · 36 x 24 1/8 in · 91.4 x 61.3 cm
Persistent Antagonism, 1946-48
Painted bronze, metal, and stainless steel · 66 1/2 x 12 x 12 · 168.9 x 30.5 x 30.5
Untitled, 1947
Bronze, painted white and blue, and stainless steel · 68 1/4 x 12 x 12 in · 173.3 x 30.4 x 30.4 cm
Quarantania III, 1949
Bronze and stainless steel
Untitled, 1949
Ink on paper
Unconscious Landscape, 1967
Bronze, Edition of 6 · 12 x 24 13/32 x 23 27/64 · 30.5 x 62 x 59.5
Fillette (Sweeter Version), 1968-99
Pigmented urethane rubber, hanging piece · 23 1/2 x 10 1/2 x 7 3/4 · 59.7 x 26.7 x 19.7
The Destruction of the Father, 1974
Latex, plaster wood, fabric and red light · 93 5/8 x 143 x 97 7/8 · 237.8 x 363.3 x 248.7
Nature Study, 1984
Red wax over fiberglass with aluminum
Maison, 1986
Steel and plaster · 75 x 20 1/2 x 9 1/2 in · 190.4 x 52 x 24.1 cm
Spit or Star, 1986
Watercolor and pencil on paper · 23 3/4 x 19 · 60.3 x 48.3
Poids, 1992
Steel, glass, and metal · 191 x 129 x 24 1/4 · 485.1 x 327.7 x 61.6
Cell (Choisy II), 1995
Pink marble, steel, mirrors · 85 1/4 x 76 1/2 x 78 1/4 in · 216.5 x 194.3 x 198.8 cm
Untitled, 1996
Steel, rubber and thread · 108 3/4 x 36 x 36 · 276.2 x 91.4 x 91.4
Untitled, 1998
Hologram · 13 x 11 · 33 x 27.9
Madeleine, 1999
Drypoint on paper · Sheet: 43.2 x 38.1 cm <br/>Plate: 30.5 x 25.4 cm
I Love You, Do You Love Me? , 1999
Lead and steel; wall relief · 10 1/4 x 10 1/8 x 5/8 · 26 x 25.7 x 1.6
The Good Mother, 1999
Steel, ceramic beads, wood, wire and cloth. · 13 3/4 x 7 7/8 x 7 7/8 · 35 x 20 x 20
Seven in Bed, 2001
Fabric, stainless steel, glass and wood · 68 x 33 1/2 x 34 1/2 in · 172.7 x 85 x 87.6 cm
Untitled, 2001
Tapestry and stainless steel · 74 1/2 x 12 1/2 x 9 in · 189.2 x 31.8 x 22.9 cm
Umbilical Cord, 2003
Fabric and stainless steel: 44.8 x 30.5 x 30.5 cm / 17 5/8 x 12 x 12 in <br>Stainless steel, glass and wood vitrine: · 70 x 24 x 24 · 177.8 x 60.9 x 60.9
The Couple , 2003
Aluminium, hanging piece · 48 x 26 x 15 in · 121.9 x 66 x 38.1 cm
Spider, 2003
Stainless steel and fabric · 9 x 12 x 14 in · 22.9 x 30.5 x 35.6 cm
The Hidden Past, 2004
Fabric, wood and stainless steel · 9 x 30 x 30 in · 226.1 x 76.2 x 76.2 cm
Leaves 1, 2006
Etching, ink, and pencil on paper · 59 1/4 x 12 3/4 in · 150.4 x 32.3 cm
Self Portrait, 2007
Bronze, black and polished patina · 18 x 26 1/4 x 16 · 45.7 x 66.6 x 40.6
Untitled, 2007
Steel, fabric, shellac and glass · 97 x 84 x 47 in · 246.3 x 213.3 x 119.3 cm
Conscious and Unconscious, 2008
White oak, glass and stainless steel vitrine · 88 1/2 x 66 x 37 in · 224.8 x 167.6 x 94 cm
Turning Inwards, 2008
Etching on paper · 59 3/4 x 35 5/8 · 151.8 x 90.5
Spiral, 2009
Gouache on paper, suite of 8
I Am Afraid, 2009
Woven fabric, mounted on a stretcher · 43 1/2 × 72 · 110.5 × 182.9
Les Fleurs, 2009
Gouache on paper, suite of 18 · 23 1/2 x 18 · 59.6 x 45.7
Installation view, ‘Louise Bourgeois. Gathering Wool,’ Hauser & Wirth New York, 22nd Street, 2025
Installation view, ‘Louise Bourgeois. Gathering Wool,’ Hauser & Wirth New York, 22nd Street, 2025
Installation view, ‘Louise Bourgeois. Has the Day Invaded the Night or Has the Night Invaded the Day,’ Art Gallery of New South Wales, Sydney, Australia., 2023
Installation View, ‘Louise Bourgeois. Once there was a mother,’ Hauser & Wirth 18th Street, 2023
Installation View, ‘The God that Failed. Louise Bourgeois, Barnett Newman, Mark Rothko,’ Hauser & Wirth Zurich, Bahnhofstrasse, 2023
Installation View, ‘The God that Failed. Louise Bourgeois, Barnett Newman, Mark Rothko,’ Hauser & Wirth Zurich, Bahnhofstrasse, 2023
Installation view, ‘Louise Bourgeois: Paintings,’ The Metropolitan Museum of Art, New York, 2022