Catalog/Hauser & Wirth/Roni Horn

Roni Horn

Hauser & Wirth · 66 works
Dogs’ Chorus Let Slip Every Tom, Dick, and Harry
Dogs’ Chorus Let Slip Every Tom, Dick, and Harry, 2016
Watercolour, pen and ink, gum arabic on watercolour paper, tape
Dogs’ Chorus Let Slip The Call of The Wild
Dogs’ Chorus Let Slip The Call of The Wild, 2016
Watercolor, pen and ink, gum arabic on watercolor paper, tape
Dead Owl, v. 3
Dead Owl, v. 3, 2015
Ink jet on rag paper · 22 1/2 x 22 1/2 in · 2 parts, each 57.2 x 57.2 cm
Installation view, Glenstone Museum, Potomac MD
Installation view, Glenstone Museum, Potomac MD, 2017
Th Rose Prblm
Th Rose Prblm, 2015
Pen and ink, watercolor, gum arabic, 48 parts · 26 x 19 in · Various sizes, each circa 66 x 48.3 cm
Th Rose Prblm (detail)
Th Rose Prblm (detail), 2015
Pen and ink, watercolor, gum arabic, 48 parts · 26 x 19 in · Various sizes, each circa 66 x 48.3 cm
Installation view, Fondation Beyeler, Riehen/Basel, Switzerland
Installation view, Fondation Beyeler, Riehen/Basel, Switzerland, 2016
Put 3
Put 3, 2012
Powdered pigment, graphite, charcoal, colored pencil and varnish on paper · 105 x 97 in · 266.7 x 246.4 cm
If 2
If 2, 2011
Pigment and varnish on paper · 98 3/4 x 101 1/2 in · 250.8 x 257.8 cm
Still Water (The River Thames, for Example)
Still Water (The River Thames, for Example), 1999
Fifteen offset lithographs on uncoated paper · 30 1/4 x 41 1/2 in · Each 76.8 x 105.4 cm
Still Water (The River Thames, for Example) (details)
Still Water (The River Thames, for Example) (details), 1999
Fifteen offset lithographs on uncoated paper · 30 1/4 x 41 1/2 in · Each 76.8 x 105.4 cm
The Selected Gifts, (1974 – 2015)
The Selected Gifts, (1974 – 2015), 2015
Ink jet prints on Hahnemuehle paper, 67 parts
The Selected Gifts (1974 – 2015) (details)
The Selected Gifts (1974 – 2015) (details), 2015
Ink jet prints on Hahnemuehle paper, 67 parts
Installation view, Fondation Beyeler, Riehen/Basel, Switzerland
Installation view, Fondation Beyeler, Riehen/Basel, Switzerland, 2017
Installation view, de Pont Museum, Tilburg, Netherlands
Installation view, de Pont Museum, Tilburg, Netherlands, 2016
Remembered Words – (Clutch)
Remembered Words – (Clutch), 2013
Gouache, watercolor, graphite, Japan colour and gum arabic on paper · 15 x 11 in · 9 parts, each 38.1 x 27.9 cm
Remembered Words – (Withnail)
Remembered Words – (Withnail), 2013
Gouache, watercolor, graphite, Japan color and gum arabic on paper · 15 x 11 in · 9 parts, each 38.1 x 27.9 cm
Alias Frieze, v. 2
Alias Frieze, v. 2, 2011
Pen, ink and watercolor on paper · 11 x 17 - 18.5 in · 12 units, each variable sizes, 28 x 43.2 - 47 cm
Alias Frieze, v. 2 (details)
Alias Frieze, v. 2 (details), 2011
Pen, ink and watercolor on paper <br>12 units, each variable sizes · 11 x 17 – 18.5 in · 28 x 43.2 – 47 cm
Installation view, ‘Roni Horn. Butterfly to Oblivion’, Fondation Vincent Van Gogh, Arles, France
Installation view, ‘Roni Horn. Butterfly to Oblivion’, Fondation Vincent Van Gogh, Arles, France, 2015
Untitled ("… the Aga Khan arrived in Indian costume covered in precious gems …. He has several dozen million … subjects and a fortune of untold millions in pounds sterling and, sitting next to Nijinsky with his jaw and vulgar face, was like a fat sack of
Untitled ("… the Aga Khan arrived in Indian costume covered in precious gems …. He has several dozen million … subjects and a fortune of untold millions in pounds sterling and, sitting next to Nijinsky with his jaw and vulgar face, was like a fat sack of , 2013
Solid cast glass with as-cast surfaces
Hack Wit – bug suit
Hack Wit – bug suit, 2014
Watercolor, pen and ink, gum arabic on watercolor paper, cellophane tape · 22 1/2 x 19 · 57.2 x 48.3
Hack Wit – camel in a haystack
Hack Wit – camel in a haystack, 2014
Watercolor, pen and ink, gum arabic on watercolor paper, cellophane tape · 23 1/2 x 15 1/2 · 59.7 x 39.4
Hack Wit – lucky water
Hack Wit – lucky water, 2014
Watercolor, graphite, gum arabci on watercolor paper, cellophane tape · 23 3/4 x 17 1/2 · 60.3 x 44.5
Untitled ("A dream dreamt in a dreaming world is not really a dream, … but a dream not dreamt is.")
Untitled ("A dream dreamt in a dreaming world is not really a dream, … but a dream not dreamt is."), 2010
Solid cast glass with as-cast surfaces, 10 parts
Untitled ("My name is Mary Katherine Blackwood. I am eighteen years old, and I live with my sister Constance. I have often thought that with any luck at all I could have been born a werewolf, because the two middle fingers on both my hands are the same le
Untitled ("My name is Mary Katherine Blackwood. I am eighteen years old, and I live with my sister Constance. I have often thought that with any luck at all I could have been born a werewolf, because the two middle fingers on both my hands are the same le, 2012
Solid cast glass with as-cast surfaces, with oculus, 10 parts · 18 1/2 in <br>Diameter: 91.5 cm / 36 in each · Height: 47 cm
Installation view, ‘Roni Horn. Everything was sleeping as though the universe were a mistake’, Fundacio Joan Miro, Barcelona, Spain
Installation view, ‘Roni Horn. Everything was sleeping as though the universe were a mistake’, Fundacio Joan Miro, Barcelona, Spain, 2014
Her, Her, Her, and Her
Her, Her, Her, and Her, 2002
Sixty-four gelatin silver prints · 96 1/8 x 96 1/8 in · 244 x 244 cm
Portrait of an Image (with Isabelle Huppert)
Portrait of an Image (with Isabelle Huppert), 2005
50 photographs · 15 x 12 1/2 in · Each, 38.1 x 31.8 cm
Posters and billboards in public spaces, during the run of the exhibition at Schirn Kunsthalle, Frankfurt, Germany
Posters and billboards in public spaces, during the run of the exhibition at Schirn Kunsthalle, Frankfurt, Germany, 2014
Portrait of an Image (with Isabelle Huppert) (details)
Portrait of an Image (with Isabelle Huppert) (details), 2005
50 photographs in up to 10 sequences of 5 · 15 x 12 1/2 in each · 38.1 x 31.8 cm
PI (Installation views)
PI (Installation views), 1997
45 Iris-printed photographs on Somerset Satin paper · Various dimensions
PI (details)
PI (details), 1997 / 1998
45 Iris-printed photographs on Somerset Satin paper
Clowd and Cloun (Gray)
Clowd and Cloun (Gray), 2000
32 C-Prints · 68 x 68 cm each <br>16 Clowds: 27 x 35 in / 68 x 89 cm each · 16 Clouns: 27 x 27 in
Some Thames
Some Thames, 2000
Photographs printed on paper, UV lacquer · 25 x 38 inches <br>72.4 x 103.5 x 4.8 cm / 28 1/2 x 40 3/4 x 1 7/8 inches (framed) each, 80 parts · 63.5 x 96.5 cm
a.k.a.
a.k.a., 2008
Ink jet prints on rag paper, 30 paired photographs · 15 x 13 · 38.1 x 33
a.k.a. (details)
a.k.a. (details), 2008
Ink jet prints on rag paper, 30 paired photographs · 15 x 13 in · Each 38.1 x 33 cm
This is Me, This is You (detail)
This is Me, This is You (detail), 1997
96 mounted and framed C-Prints · 12 1/2 x 10 1/4 inches <br>33.5 x 27.6 x 2.2 cm / 13 1/4 x 10 7/8 x 7/8 inches (framed) each · 31.8 x 26 cm
Becoming a Landscape
Becoming a Landscape, 1999
20 paired C-prints (10 pairs) · Various sizes, ca. 66 x 48.3 cm
Becoming a Landscape (details)
Becoming a Landscape (details), 1999
20 paired C-prints (10 pairs)
Installation view, ‘Roni Horn. Photographien’, Hamburger Kunsthalle, Hamburg, Germany
Installation view, ‘Roni Horn. Photographien’, Hamburger Kunsthalle, Hamburg, Germany, 2011
Installation view, ‘Roni Horn. Well and Truly’, Kunsthaus Bregenz, Bregenz, Austria
Installation view, ‘Roni Horn. Well and Truly’, Kunsthaus Bregenz, Bregenz, Austria, 2010
White Dickinson NEWS OF DYING GOES NO FURTHER THAN THE BREEZE. THE EAR IS THE LAST FACE
White Dickinson NEWS OF DYING GOES NO FURTHER THAN THE BREEZE. THE EAR IS THE LAST FACE, 2007
Aluminium and solid cast white plastic · 142 1/2 x 2 x 2 in · 362 x 5.1 x 5.1 cm
Well and Truly
Well and Truly, 2009
Solid cast, blue glass with as-cast surfaces on all sides (fire-polished top), 10 parts · 91.5 cm diameter, 18" / 45.5 cm height · Each: 36"
Billboards in Bregenz, as part of 'Roni Horn. Well and Truly', Kunsthaus Bregenz, Bregenz, Austria
Billboards in Bregenz, as part of 'Roni Horn. Well and Truly', Kunsthaus Bregenz, Bregenz, Austria, 2010
Installation view, ‘Roni Horn aka Roni Horn’, ICA Institute of Contemporary Art, Boston MA
Installation view, ‘Roni Horn aka Roni Horn’, ICA Institute of Contemporary Art, Boston MA, 2010
Pink Tons
Pink Tons, 2008
Solid cast pink glass with as-cast surfaces on all sides · 48 x 48 x 48 in · 121.9 x 121.9 x 121.9 cm
You are the Weather
You are the Weather, 1994
64 C-prints and 36 gelatin-silver prints · 10 3/8 x 8 3/8 x 3/8 inches each, 100 units · 26.5 x 21.4 x 1 cm
You are the Weather (details)
You are the Weather (details), 1994
64 C-prints and 36 gelatin-silver prints · 10 3/8 x 8 3/8 x 3/8 in · 100 units, each 26.5 x 21.4 x 1 cm
bird
bird, 1998 / 2007
Iris and pigment printed photographs on Somerset Satin paper · 22 x 22 in each, 10 pairs / 20 photos · 55.9 x 55.9 cm
bird (details)
bird (details)
Iris and pigment printed photographs on Somerset Satin paper · 22 x 22 in · 10 pairs/20 photos, each 55.9 x 55.9 cm
Rationalists would wear Sombreros
Rationalists would wear Sombreros, 1990
Drawing on map · 10 x 12 in · 25.4 x 30.5 cm
Installation view, ‘Roni Horn aka Roni Horn’, Whitney Museum of American Art, New York NY
Installation view, ‘Roni Horn aka Roni Horn’, Whitney Museum of American Art, New York NY, 2009
Ant Farm
Ant Farm, 1974 / 2007
Solid mahogany, plate glass, earth and ants · 47 x 70 x 4 in · Overall 119.4 x 177.8 x 10.2 cm
Installation view, 'Roni Horn aka Roni Horn', Collection Lambert, Avignon, France
Installation view, 'Roni Horn aka Roni Horn', Collection Lambert, Avignon, France, 2009
Opposites of White
Opposites of White, 2007
Solid cast black and clear glass, with as-cast surfaces, 2 parts · 20 in <br>Diameter: 143 cm / 56 in each · Height: 51 cm
Installation view, ‘Roni Horn aka Roni Horn’, Collection Lambert, Avignon, France
Installation view, ‘Roni Horn aka Roni Horn’, Collection Lambert, Avignon, France, 2009
Dead Owl, v.2
Dead Owl, v.2, 2009
Ink jet prints on rag paper · 22 1/2 x 22 1/2 in · 2 parts, each 57.2 x 57.2 cm
Installation view, ‘Roni Horn aka Roni Horn’, Tate Modern, London, United Kingdom
Installation view, ‘Roni Horn aka Roni Horn’, Tate Modern, London, United Kingdom, 2009
Opposites of White
Opposites of White, 2006
Solid cast black and clear glass, with as-cast surfaces, 2 parts · 20 in <br>Diameter: 143 cm / 56 in each · Height: 51 cm
You are the Weather
You are the Weather, 1994
64 C-prints and 36 gelatin-silver prints · 10 3/8 x 8 3/8 x 3/8 inches each, 100 units · 26.5 x 21.4 x 1 cm
PI
PI, 1997
45 Iris-printed photographs on Somerset Satin paper · Various dimensions
Vatnasafn / Library of Water
Vatnasafn / Library of Water, 2007
Permanent installation in Stykkisholmur, Iceland, since 2007 <br>Commissioned by Artangel
Rings of Lispector
Rings of Lispector, 2004
Rubber
Doubt by Water
Doubt by Water, 2003
60 pigment-printed photographs, on 30 aluminum stanchions (2-sided)
Still Water (The River Thames, for Example)
Still Water (The River Thames, for Example), 1999
Fifteen offset lithographs on uncoated paper · 30 1/4 x 41 1/2 in · Each 76.8 x 105.4 cm